Legendary tango performer and composer Astor Piazzolla gained experience of jazz in New York and classical form and technique through studies with Alberto Ginastera. His work lends itself perfectly to arrangement for all kinds of ensemble, and this is the first recording with solo trombone. These popular pieces showcase the stunning playing of multi-award winning soloist Achilles Liarmakopoulos in a variety of moods, including the famous Oblivion, and Le Grand Tango, a virtuoso show-stopper originally written for cellist Mstislav Rostropovich.

'I haven't sat right through a CD of tangos until this one. Greek trombonist Achilles Liarmakopoulos, who plays with Canadian Brass, is an astonishing player, a musician of extraordinary subtlety and understatement. With the sweetest, most seductive tone imaginable, he glides through the Piazzolla classics, including the full Histoire du Tango, all three movements of the beautiful Serie del Angel, Michelangelo, Oblivion and a heart-wrenching, soulful rendition of Soledad. His group, including the great bandoneon player Hector del Curto, is superlative. An outstanding disc.' (Herald Scotland)

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Johann Strauss the Elder’s compositions of the mid-1840s are among his very finest. As ever they are saturated with his seemingly inexhaustible vitality and invention, qualities admired by dancers and critics alike. The Austrian Celebration March was written, in dashing military fashion, for the unveiling of a monument to Emperor Franz I. In Bohemian Girl Quadrille, Strauss uses themes from the Irish composer Michael William Balfe’s then wildly popular opera The Bohemian Girl to such dizzying effect that it was encored three times. Sounds of the Vltava, written following the devastating flood in the spring of 1845, was a gift to the citizens of Prague.

The life and career of the African-American composer William Grant Still qualifies as the quintessential American ‘success story.’ Often referred to as the ‘dean of African-American composers,’ Still rose from humble beginnings to work as an arranger while studying composition with Chadwick and Varèse. Still embraced the blues, spirituals, jazz, and other ethnic American musics within classical forms. Wood Notes musically depicts Still’s love of nature. Symphony No. 2, the last of a trilogy of works depicting the African-American experience, presents the vision of an integrated American society, while Symphony No. 3 describes a spiritual ‘day in the life’ of a devout worshipper. This disc completes the Naxos cycle of William Grant Still’s Symphonies.

Rimsky-Korsakov’s orchestral genius shines through in his colourful operatic suites, and that from his final opera Le Coq d’or is richly dramatic and expressive. The complicated folk-based story of the Snow Maiden is simplified into four enchanting movements, and that of Sadko into a single, radiantly descriptive tone-poem. The thrilling legend of Mlada is represented by vivid dances and a final Cortège. Gerard Schwarz’s recording of Rimsky-Korsakov’s Sheherazade (8572693) with the Seattle Symphony was described as ‘absolutely terrific’ (ClassicsToday.com).

Alfred Hill was the doyen of Australasian composers, and his exploration of the string quartet demonstrates the range of his imagination. Both the Tenth and Eleventh quartets were written in 1935, but they offer richly differing affiliations. No. 10 brings a classical formality fused with hints of Gershwin, and a remarkable last movement which recalls the three earlier movements in rapid succession in just 32 bars, whereas No. 11 marks the height of Hill’s impressionist refinement, complete with a characteristically beautiful slow movement. The ‘Life’ Quintet, with its vocal finale, was written in 1912, a fascinating experiment later reworked into a symphony.